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    <title><![CDATA[This Day In Deaths]]></title>
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    <description><![CDATA[<p>This Day in Deaths is a fiction podcast that sounds like a late-night obituary broadcast — except every name is invented, every death is specific, and every life is stranger and more ordinary than the last.</p><p>Each episode crosses midnight with a roll call of the day’s dead: where they were, what they were carrying, who survived them, and the small belongings nobody at the desk knew what to do with. A water-damaged children’s book. A shoebox marked ISLANDS. A coat with destinations written inside the lining. The worst thing in the world, told as plainly as a wet curb or a clock ticking from 11:58 to 11:59.</p><p>This is not true crime. It is not horror. It is immersive narrative fiction — compassionate, absurdist, and told with the gravity of a broadcast that has run out of room for euphemism.</p><p>New episodes regularly.</p><p>Good morning. Good night.</p>]]></description>
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      <title><![CDATA[Episode 2: The Nervous Corrector]]></title>
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      <description><![CDATA[<p>Tonight, just after midnight, the desk receives one name — and follows it through a whole evening.</p><p><strong>Chapter 1 of an unfinished book,</strong> presented inside the <em>This Day in Deaths</em> broadcast. This episode opens with the series' new musical introduction and universal cold open, then leaves the obituary roll call behind to tell a single story in full.</p><p>On a rainy Friday on Lark Street, a municipal records clerk named Warren Bell arrives early at The Bacchanids — a lounge with a stuttering sign, wine-colored velvet curtains, and speed introductions advertised in the back pages. Warren has spent eleven years correcting small errors in names, addresses, and filings. He believes accuracy is a form of mercy. He has been called Walter. He has been called Wallace. He has brought a folded list of instructions for the evening: do not overexplain; do not correct too soon; ask one question before answering the second.</p><p>At the door, a woman in a dark coat and ivory gloves arrives without hurrying. Her name is Ellie. She corrects his name when the hostess gets it wrong. She asks what makes a correction worth making. She does not hurry to rescue him when he overexplains. The speed round should end with a bell. No bell rings.</p><p>What follows is one table, one booth half-hidden behind velvet, one broken watch stopped at 8:06, and a lost-and-found box where a name is written down and corrected again — Warren, not Walter — while the music continues and the room prepares for the next introduction.</p><p>This episode is about names, nerves, courtesy mistaken for visibility, and the hunger that listens carefully before it feeds.</p><p><strong>Featuring:</strong></p><p>Warren Bell  </p><p>Ellie  </p><p>The hostess at The Bacchanids  </p><p>The tall waitress  </p><p>The silver-haired waitress  </p><p><em>"Outside, the rain had begun falling again. Inside, the room warmed itself for the next introduction."</em></p><p><em>This Day in Deaths</em> is a fictional series. Names, places, and events in this episode are invented. This episode is <strong>Chapter 1</strong> of an unfinished novel; later book chapters will appear as Episodes 3–5.</p>]]></description>
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      <title><![CDATA[The Map of Elsewhere (Redone with music)]]></title>
      <itunes:title><![CDATA[The Map of Elsewhere (Redone with music)]]></itunes:title>
      <description><![CDATA[<p><strong>Note for returning listeners:</strong> This is the same premiere episode previously released as the <em>This Day in Deaths</em> pilot. The stories, names, and narration are unchanged. <strong>What is new is the musical introduction</strong> — remixed and retimed for the series going forward.</p><p>Tonight, just after midnight, the first names arrive.</p><p>In the premiere episode of <em>This Day in Deaths</em>, a ruined children's book, a loose theater marquee letter, a coat lining full of handwritten destinations, and a returned library copy begin to draw a quiet map between strangers.</p><p>Told as a late-night obituary broadcast, "The Map of Elsewhere" follows a series of fictional deaths reported from across the country: a young hotel worker in Sacramento carrying a damaged book, an Ohio geography teacher who mapped places he never visited, a San Francisco bakery worker saving for a journey into family history, a Duluth theater owner trying to reopen his family's cinema for one impossible winter night, and a library worker whose final returned book has been missing for nine years.</p><p>Some deaths are sudden. Some are quiet. Some are absurd. Some belong to people who wanted more than they had time to reach.</p><p>Between each life, five seconds of ticking clocks mark the passage from one story to the next.</p><p>This episode is about arrival, interruption, and the private maps people carry: in books, in buildings, in family stories, in coat linings, and in the names of places that may or may not exist.</p><p><strong>Featuring:</strong></p><p>Corinne Applewhite  </p><p>Ambrose K. Welliver  </p><p>Delbert Spoon  </p><p>Nadine Van Orman  </p><p>Evelyn Cusk  </p><p>Brother Matthew of the Small Pines  </p><p>Inez Tallow  </p><p>Ferris Bellwether Noon  </p><p>Hollis Vane  </p><p>Orla Minnow  </p><p><em>"The day is over now. The clocks will begin again without them."</em></p><p><em>This Day in Deaths</em> is a fictional obituary-radio series. Names, places, and events in this episode are invented.</p><p></p>]]></description>
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      <title><![CDATA[The Map of Elsewhere]]></title>
      <itunes:title><![CDATA[The Map of Elsewhere]]></itunes:title>
      <description><![CDATA[<p>Episode 1: The Map of Elsewhere</p><p>Tonight, just after midnight, the first names arrive.</p><p>In the premiere episode of <em>This Day in Deaths</em>, a ruined children’s book, a loose theater marquee letter, a coat lining full of handwritten destinations, and a returned library copy begin to draw a quiet map between strangers.</p><p>Told as a late-night obituary broadcast, “The Map of Elsewhere” follows a series of fictional deaths reported from across the country: a young hotel worker in Sacramento carrying a damaged book, an Ohio geography teacher who mapped places he never visited, a San Francisco bakery worker saving for a journey into family history, a Duluth theater owner trying to reopen his family’s cinema for one impossible winter night, and a library worker whose final returned book has been missing for nine years.</p><p>Some deaths are sudden. Some are quiet. Some are absurd. Some belong to people who wanted more than they had time to reach.</p><p>Between each life, five seconds of ticking clocks mark the passage from one story to the next.</p><p>This episode is about arrival, interruption, and the private maps people carry: in books, in buildings, in family stories, in coat linings, and in the names of places that may or may not exist.</p><p>Featuring:</p><ul><li>Corinne Applewhite</li><li>Ambrose K. Welliver</li><li>Delbert Spoon</li><li>Nadine Van Orman</li><li>Evelyn Cusk</li><li>Brother Matthew of the Small Pines</li><li>Inez Tallow</li><li>Ferris Bellwether Noon</li><li>Hollis Vane</li><li>Orla Minnow</li></ul><p>“The day is over now. The clocks will begin again without them.”</p><p><em>This Day in Deaths</em> is a fictional obituary-radio series. Names, places, and events in this episode are invented.</p>]]></description>
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      <pubDate>Sat, 20 Jun 2026 05:39:24 GMT</pubDate>
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