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    <title><![CDATA[The Tune Indigo Podcast]]></title>
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    <description><![CDATA[<p>Listen, Play, and Create music using your most musical asset: your ears! Creative, ear-forward inspiration to help you find your own musical style and create music you truly own.</p><p>Each episode is a short, listening-first lesson in Holistic Ear Training (HET) — a Kodály- and Third Stream-inspired approach built on Sound Before Symbol. Instead of starting with notation and theory, you'll train your ear through singing, movable-"do" solfège, and creative listening, then use that ear to shape music that's genuinely your own.</p><p>Hosted by Hans Indigo Spencer, ear training educator and founder of TuneIndigo, each episode pairs a short listening practice with a creative prompt you can use right away — whether you're a music student, a teacher, or just someone who wants to hear more of what's already inside the music.</p><p>New episodes go out alongside the TuneIndigo newsletter. Subscribe at <a target="_blank" rel="noopener noreferrer nofollow" href="http://tuneindigo.com">tuneindigo.com</a> for every episode plus the ear-training tools that go with it.</p>]]></description>
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      <title><![CDATA[Harmonic Interval Ear Training: How to Hear Motion Where There Is None]]></title>
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      <description><![CDATA[<p>Learn to hear harmonic intervals and understand why they're trickier to identify than melodic ones — plus a look at the science and art behind this week's practice exercises.</p><p><strong>In this episode:</strong></p><ul><li>Cohort enrollment now open — <em>Listening and Personal Style</em>, a 6-week ear training cohort starting September 7th. Early-bird pricing ($300) through 8/21, regular price $350 after. 15-seat limit. <a target="_blank" rel="noopener noreferrer nofollow" href="http://tuneindigo.com">tuneindigo.com</a></li><li>This week's video tutorial (audio version): hearing harmonic intervals and the motion between voices that creates them</li><li>News-lesson: why training your ear with a purpose — not just "because you should" — changes how you listen</li><li>Behind the scenes: how <em>Voice Leading: The Science Behind a Musical Art</em> by David Huron shaped the ten listening examples in this week's tutorial</li></ul><p><strong>Watch the video:</strong> <a target="_blank" rel="noopener noreferrer nofollow" class="underline underline underline-offset-2 decoration-1 decoration-current/40 hover:decoration-current focus:decoration-current" href="#">Harmonic Interval Ear Training - How to Hear Motion Where There Is None</a> <em>(add YouTube link)</em></p><p><strong>Join the cohort:</strong> <a target="_blank" rel="noopener noreferrer nofollow" href="http://tuneindigo.com">tuneindigo.com</a></p>]]></description>
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      <title><![CDATA[Offloading Melodies - Cohort Course Announcement - iii chord vs. vi chord]]></title>
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      <description><![CDATA[<p>Two chords, three notes each, two notes in common — no wonder iii and vi get confused. This episode starts with the full audio of this week's tutorial, where a single scale degree settles the question for good. Then it's on to the news-lesson.</p><p>This week: what happened when a group of Foundations students joined me for impromptu office hours (Carole King, harmonic listening, and some composition practice); news of a small real-time Holistic Ear Training course starting in September; and a look back at the final Compose With Me livestream, where "offloading melodies" turned "Interplanet Janet" into something that sounds nothing like it.</p><p>Chapters are enabled — skip straight to the news-lesson if you've already watched the video.</p><p><em>In this episode:</em></p><ul><li>Tutorial: telling iii from vi in major keys</li><li>Office hours with Foundations students</li><li>The September cohort course</li><li>Offloading melodies, and building a tune from borrowed rhythm</li></ul><p><em>Links:</em></p><ul><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.tuneindigolearning.com/holistic-ear-training-cohort-landing">Cohort Course INFO</a> </li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/live/6WgmC_1uydE">Compose With Me replay</a> </li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.tuneindigolearning.com/taste-of-holistic-ear-training">Free email Course Info</a> </li><li><a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/WFiEIaJY7IY">Video Tutorial: iii chord vs. vi chord</a> </li></ul>]]></description>
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      <title><![CDATA[The Simplest Improv You'll Ever Play]]></title>
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      <description><![CDATA[<p>Plus a listening guide for a Carole King classic and a 600-year-old composing habit.</p><p></p><p>LINKS:</p><p><strong>Will You Still Love Me Tomorrow</strong></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=Y2e8B2CmicQ">Shirelles 1960 Version</a></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://youtu.be/TxWrUtbzlLM?si=t4POwlK3lc-ssOcd">Carole King Version</a></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://youtube.com/live/gQ5Kcqgsk4E">Compose with Me! Livestream</a></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.youtube.com/@tuneindigomusic">Tune Indigo on YouTube</a></p><p></p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://tuneindigo.com">tuneindigo.com</a></p>]]></description>
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      <pubDate>Tue, 28 Jul 2026 16:57:30 GMT</pubDate>
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      <title><![CDATA[Chase the Bass, Catch the Chords: Hearing "Eight Days a Week"]]></title>
      <itunes:title><![CDATA[Chase the Bass, Catch the Chords: Hearing "Eight Days a Week"]]></itunes:title>
      <description><![CDATA[<p>Can you hear what Paul McCartney's bass line is doing under "Eight Days a Week"? In this episode, we chase that bass line to uncover the chord progression driving the whole song — then take those same chords and go hunting for them in four other tunes, from bossa nova to hip-hop.</p><p>You'll:</p><ul><li>Sing the root notes of McCartney's bass line against the original recording</li><li>Test your ear by finding <em>do</em> and singing that same bass line over "Exactly Like You," "Take the A Train," "Forget You," and more</li><li>Close with a fully improvised vocal line over a stripped-down version of the progression — no solfège, no chord names, just your ear and your voice</li></ul><p>Want to go deeper? The full step-by-step video on learning any song's chords by ear is linked below.</p><p><strong>Links:</strong></p><ul><li>Original recording: <a target="_blank" rel="noopener noreferrer nofollow" class="underline underline underline-offset-2 decoration-1 decoration-current/40 hover:decoration-current focus:decoration-current" href="https://www.youtube.com/watch?v=XTfmuDjwQTw">Eight Days a Week</a></li><li>Tutorial video: <a target="_blank" rel="noopener noreferrer nofollow" class="underline underline underline-offset-2 decoration-1 decoration-current/40 hover:decoration-current focus:decoration-current" href="https://youtu.be/RngSZ2iygoU">How to Learn a Song's Chords by Ear</a></li><li>More at <a target="_blank" rel="noopener noreferrer nofollow" href="http://tuneindigo.com">tuneindigo.com</a></li></ul><p><strong>Corresponding Newsletter Issue: </strong><a target="_blank" rel="noopener noreferrer nofollow" href="https://mailchi.mp/0bc9c845f4e2/ear-idea-1-listen-play-create-17996267">Chase Bass, Catch Chords</a></p>]]></description>
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