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    <title><![CDATA[The Science of Acting and Me]]></title>
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    <description><![CDATA[<p><strong>Science</strong> and <strong>Acting</strong> - two words that are seldom seen together, considered by most, let alone actors, to be mutually incompatible. So when Sam Kogan, a Ukrainian actor, director and theatre practitioner came to London via <em>The Moscow University of Theatre Arts</em> to teach his own technique, <em>The Science of Acting</em>, I wonder what sort of reception he was expecting? As a cocky 19 year old drama student at a college where Sam was a guest teacher, I was part of that reception..</p><p>‘This is Bullsh1t!’, I told him in the first class, pouring scorn on his ridiculous notion that science had anything to do with the lofty art of acting.</p><p>Some 30 years later I’m a professional actor and director and in spite of that first class I'm also a dedicated teacher and practitioner of <em>The Science of Acting </em>technique and have been for the last 20 years.</p><p><strong>The Science of Acting and Me</strong> describes my journey learning and utilising an acting and directing technique that represents a unique, life-changing body of knowledge. From my first exposure to it, through 4 years studying at Sam’s <em>School of the Science of Acting</em> with its controversial tagline '<em>Nobody teaches better, nobody cares more.'</em>' and continuing on into the profession, I’ll share as much as I can about <em>The Science of Acting</em> and my personal experiences of what became the most enlightening and fulfilling part of my life.</p>]]></description>
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    <copyright><![CDATA[Philip Lambert 2024]]></copyright>
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