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    <title><![CDATA[Taller Together ]]></title>
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    <description><![CDATA[<p>Taller Together is hosted by Tamzin Lovell. It has been produced by Artfundi Media Lab.</p><p>Visit <a target="_blank" rel="noopener noreferrer nofollow" href="http://Armature-mag.art">Armature-mag.art</a> for more.</p>]]></description>
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      <title><![CDATA[Beyond the Monument Museum | Gilbert Balinda]]></title>
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      <description><![CDATA[<p>In conversation with Tamzin Lovell for Armature Magazine's Taller Together, Gilbert Balinda treats architecture as a public language of trust. Balinda, whose practice describes him as a Rwandan-Belgian architect and the founder and lead architect of Gilbert Balinda Architects, is less interested in spectacle than in what a building asks of its visitors: awe, caution, belonging, and distance. The conversation sits neatly beside the 2022 ICOM museum definition, which places accessibility, inclusion, ethics and community participation at the centre of museum work.</p>]]></description>
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      <title><![CDATA[When Vendors Vanish, Collections Still Move | Anthony Watson & Guy Krige]]></title>
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      <title><![CDATA[Museum Security Lessons from An Art Detective | Arthur Brand]]></title>
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      <title><![CDATA[The Archive In Motion | Salma Uche-Okeke]]></title>
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      <description><![CDATA[<p>The conversation between Tamzin Lovell and Salma Uche-Okeke keeps returning to a simple, uncomfortable fact: an artist’s work doesn’t automatically survive the artist. It survives when somebody builds the conditions for it to survive.</p>]]></description>
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      <title><![CDATA[ What We Keep | Heidi Erdmann]]></title>
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      <description><![CDATA[<p><strong>Heidi Erdmann</strong> speaks about the art world as a set of systems rather than a cast of personalities. In this episode, the conversation returns to the quiet labour that determines what survives: classification, storage, description, access, and the authority of whoever writes the first record. The result is a practical guide to legacy-building that refuses glamour and still feels urgent.</p>]]></description>
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      <title><![CDATA[Why Taller Together? Stewardship, visibility, and the infrastructure behind art | Tamzin Lovell]]></title>
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      <description><![CDATA[<ul><li><strong>A poetic origin, not a tagline:</strong> <em>Taller Together</em> is named after Edna St. Vincent Millay’s <em>“The Concert,”</em> capturing the feeling of returning from art “a little taller.”</li><li><strong>A podcast for the infrastructure of culture:</strong> It centres the professionals who keep institutions running—across museums, galleries, foundations, universities, and corporate and bank collections.</li><li><strong>A corrective to the “serene” illusion:</strong> It spotlights the hidden operational work behind exhibitions, acquisitions, and loans, often carried by lean teams under constant pressure.</li><li><strong>A response to a changing sector:</strong> It addresses rising expectations around transparency, provenance and restitution complexity, and tighter governance and compliance demands—alongside relentless admin burden.</li><li><strong>Technology as stewardship and leadership:</strong> It treats systems as an executive choice that should reduce friction, improve accuracy, and provide one secure source of truth across the collection lifecycle.</li><li><strong>A practical takeaway for listeners:</strong> Each episode is designed to deliver usable insight on collections care, leadership, and technology—so professionals leave clearer, steadier, and better equipped.</li></ul>]]></description>
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