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    <description><![CDATA[<p>Join screenwriters Brian Landwehr and Bailey Patterson as they dive into conversations with accomplished writers, exploring their creative processes, triumphs, challenges, and insights. Discover behind-the-scenes stories from your favourite films and TV shows, discussing how initial drafts evolve into the final product with advice from those who LIVE TO WRITE. Presented in collaboration with David Kirkpatrick, founder of Story Summit. This podcast features candid, unfiltered discussions with genuine individuals. </p><p>Produced by Brian Landwehr and Bailey Patterson. </p>]]></description>
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      <title><![CDATA[Brian McElhaney & Nick Kocher (BriTANicK)]]></title>
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      <description><![CDATA[<p>Brian McElhaney and Nick Kocher of BriTANicK fame sit down with Brian and Bailey for a deep dive into how and why they write.</p><p>How is their collaboration like an open romantic relationship? What were the writers’ rooms on <em>It’s Always Sunny in Philadelphia</em> and <em>Saturday Night Live</em> like? How can a detailed outline save your screenplay before you even start writing? How is effective pitching much more than just describing your project well? And what did they learn from their time in the director’s chairs?</p><p>And why are Brian and Brian so happy about the spelling of their names?</p><p>After over 18 years working together—and with their directorial debut<em> </em><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.imdb.com/title/tt37209937/"><em>Pizza Movie</em></a> now streaming on Hulu and Disney+, and <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.imdb.com/title/tt34685692/"><em>Over Your Dead Body</em></a> hitting theaters April 24th—Brian and Nick have plenty to share.</p><p></p><p>Produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <title><![CDATA[Rachel Shukert]]></title>
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      <description><![CDATA[<p>This episode features Rachel Shukert, showrunner behind <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.netflix.com/title/81005407"><em>The Baby-Sitters Club</em></a><em> (Netflix)</em> and executive producer on<em> </em><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.imdb.com/title/tt5834204/"><em>The Handmaid’s Tale</em></a><em> (Hulu)</em>, charting her fascinatingly unconventional path from New York memoirist and playwright to Hollywood showrunner.</p><p>Is television overstaffed right now? What’s the best way to get yourself into a writers’ room? How should writers think about the anxieties that both propel them and get in the way?</p><p>Brian and Bailey discuss all this and more with Rachel, including what she learned from her first chaotic writers’ room, what it was really like producing GLOW alongside Jenji Kohan, and how she has kept building her television career through <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.imdb.com/title/tt8760932/"><em>Nine Perfect Strangers</em></a><em> (Hulu)</em> and most recently <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.peacocktv.com/stream-tv/the-burbs"><em>The 'Burbs</em></a><em> (Peacock)</em>.</p><p>Produced by Brian Landwehr and Bailey Patterson</p><p>1IoJcK62EnPRcPNjz7Yg</p><p><strong>Links mentioned in this episode:</strong></p><p><em>Everything Is Going To Be Great</em> by Rachel Shukert <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.amazon.com/Everything-Going-Great-Underfunded-Overexposed/dp/0061782351">https://www.amazon.com/Everything-Going-Great-Underfunded-Overexposed/dp/0061782351</a></p><p><em>Have You No Shame?</em> by Rachel Shukert <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.amazon.com/Have-You-No-Shame-Regrettable/dp/0345498615">https://www.amazon.com/Have-You-No-Shame-Regrettable/dp/0345498615</a></p>]]></description>
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      <title><![CDATA[James Eason-Garcia]]></title>
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      <description><![CDATA[<p>Imagine writing for an animated Disney series. Now, imagine being invited to write for the Star Wars universe. And imagine <em>that</em> leading you to the Marvel universe.</p><p>And now, imagine your audience is <em>preschoolers!</em></p><p>In this episode of Living To Write, Brian and Bailey talk with James Eason-Garcia, who has done all this and more.</p><p>His behind-the-scenes stories are fun and enlightening, and his industry and craft advice applies to far more than just animation and writing for kids.</p><p>Join us to hear everything from how the industry works to how to fine-tune your portfolio to get the attention your writing deserves.</p><p>And along the way, James even shares his strategy for storing 30,000 comic books!</p><p>Produced by Bailey Patterson and Brian Landwehr</p>]]></description>
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      <title><![CDATA[Paul Schrader]]></title>
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      <description><![CDATA[<p>Paul Schrader wrote classics like Taxi Driver, Raging Bull, and The Last Temptation of Christ, directed American Gigolo, Affliction and First Reformed, documented the history of the transcendental style of film, and he’s still hard at work telling stories with impact.</p><p>In this special episode, we present his engaging Story Summit VIP Guest Lecture, recorded shortly after the 2024 Cannes Film Festival, where he premiered his latest feature, <em>Oh, Canada</em>.</p><p>Hear how a strict Calvinist upbringing devoid of cinema led to Paul picking up the mantle of the transcendental style of filmmaking, and how he utilizes metaphor to draw audiences into his stories without all the handholding.</p><p>If you care about meaningful cinema with lasting impact, or simply want to hear what Taxi Driver is <em>actually</em> all about, don’t miss this episode.</p><p></p><p>Produced by Brian Landwehr and Bailey Patterson</p>]]></description>
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      <title><![CDATA[Dan Gregor & Doug Mand]]></title>
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      <description><![CDATA[<p>Brian and Bailey chat with <em>The Naked Gun</em> (2025) screenwriters Dan Gregor and Doug Mand.</p><p>Comedy ain’t easy. And neither is the job of continuing the beloved <em>Naked Gun</em> franchise with a new chapter that honors the spirit of Lt. Frank Drebin without feeling stuck in the past.</p><p>But that is exactly what Dan Gregor and Doug Mand have accomplished, and they are here to discuss why and how they do what they do, the lessons learned from years of partnership, and what it takes to keep audiences laughing in a new era.</p><p>Their journey from the improv comedy scene to <em>How I Met Your Mother</em>, from <em>Chip ’n Dale: Rescue Rangers</em> to <em>The Naked Gun</em>, is a colorful one. So tune in for all that, plus their thoughts on comedy writing in the age of YouTube, and why even in Hollywood a good script is never truly dead.</p><p>This episode is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <title><![CDATA[David Paul Kirkpatrick - Part 2]]></title>
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      <description><![CDATA[<p><strong>Brian Landwehr</strong> and <strong>Bailey Patterson </strong>conclude their two-part conversation with former president of Paramount Motion Picture Group, David Paul Kirkpatrick.</p><p>As the man who greenlit some of the most iconic films in cinematic history, David knows not only how the Hollywood machine works, but why it sometimes doesn’t.</p><p>Why do so few people in the studio system actually <em>read</em> scripts? Why does strong coverage matter more than you think? What does it take to get a studio project across the finish line? And what really happens when a movie falls apart?</p><p>Plus, why did <strong>Michael Jackson </strong>shed tears over lunch with David? And is <strong>Steven Spielberg</strong> truly the mensch the world believes he is?</p><p>With a remarkable career, a writer’s heart, and a mentor’s wisdom, David brings both insight and irresistible Hollywood tales in one of the most revealing conversations we’ve ever had.</p><p>This podcast is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <title><![CDATA[David Paul Kirkpatrick - Part 1]]></title>
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      <description><![CDATA[<p>On the latest episode of the <em>Living to Write</em>, Brian and Bailey chat with Story Summit founder and former Paramount Pictures studio executive David Paul Kirkpatrick in <strong>Part 1 </strong>of an unforgettable conversation.</p><p>Throughout his illustrious career as president of the Motion Picture Group and head of production at both Disney and Touchstone, David helped bring to life some of the most iconic and influential films and franchises of all time, including — <em>Indiana Jones</em>, <em>Star Trek</em>, <em>Friday the 13th</em>, <em>Top Gun</em>, <em>Ghost</em>, <em>The Hunt for Red October</em>, <em>Witness</em>, <em>Reds</em> — and a <em>Living to Write</em> favorite — <em>Can’t Buy Me Love</em>.</p><p>His remarkable history, combined with talents as both a writer himself and mentor to many, makes David just the man to share some of the most insightful advice and outrageous Hollywood-insider stories you’ll ever hear.</p><p>What’s it like to be a studio executive? What does it take to actually greenlight a film—and what quietly kills it?</p><p>Tune in to Part 1 to find out what really happens behind the curtain. And yes... He names names.</p><p>This podcast is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <title><![CDATA[Peter Hastings]]></title>
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      <description><![CDATA[<p>On this episode of Living to Write, Brian and Bailey sit down with Emmy- and Peabody-award-winning writer/director Peter Hastings.</p><p>With <em>Dog Man</em> now out in the world, Peter discusses why he writes, how improv led him to screenwriting, what it was like working with Steven Spielberg on <em>Animaniacs,</em> and how writing is like music for him. Plus, a look at the projects that shaped his career and what keeps him coming back to the blank page.</p><p>Support for this episode comes from <a target="_blank" rel="noopener nofollow" href="https://www.storysummit.us/guest-speakers">Story Summit.</a></p><p>This podcast is produced by Bailey Patterson and Brian Landwehr.</p>]]></description>
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      <title><![CDATA[Drew Hancock]]></title>
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      <description><![CDATA[<p>This time on Living to Write, writer/director Drew Hancock, fresh off his feature debut <em>Companion,</em> joins us to talk about why he writes, how he made the leap to directing his first film, why story is everything, and how he keeps imposter syndrome from slowing him down.</p><p>Support for this episode comes from <a target="_blank" rel="noopener" href="https://www.storysummit.us/guest-speakers">Story Summit</a><a target="_blank" rel="noopener noreferrer nofollow" href="https://www.storysummit.us/guest-speakers">.</a></p><p>This episode is produced by Brian Landwehr &amp; Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p><em>Lucky there’s a Patrick Meighan guy!</em>  Join us as we chat with Family Guy writer Patrick Meighan on the show's 25th anniversary. Patrick shares insights into keeping the Griffin family fresh, balancing irreverence with heart, and his journey from intern to guy who writes the show.</p><p>For more visit: <a target="_blank" rel="noopener nofollow" href="https://www.storysummit.us/plus">Story Summit</a></p><p>This episode of Living To Write is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p>What do you do when you’ve got no credits, no connections, and no clue? TV writer Michael Jamin <em>(King of the Hill, Beavis &amp; Butthead) </em>figured it out.</p><p>On this episode of Living to Write, Michael stops by to talk writing, running a show, and how he broke into the industry with zero experience. We dig into how building a social media following helped launch his debut book, <a target="_blank" rel="noopener noreferrer nofollow" href="https://www.amazon.ca/Paper-Orchestra-Michael-Jamin/dp/B0CQHMXXW4"><em>A Paper Orchestra</em></a>, and the one thing he wishes he’d known before getting started.</p><p>Produced by Brian Landwehr &amp; Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p>YES, CHEF! Today on the menu: Sofya Levitsky-Weitz, story editor and writer on FX’s <em>The Bear</em>! </p><p>When she’s not penning scripts for <em>Gaslit</em> (Starz) and <em>The Dropout</em> (Hulu), she’s busy writing her upcoming play, <em>This Party Sucks</em>. </p><p>Let's go behind the scenes of <em>The Bear</em>, talk about writers’ room dynamics, how to break into the industry, and what keeps her coming back to the blank page.</p><p>This podcast is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p>Did someone say <em>Greased Lightning</em>? On this episode of <em>Living to Write</em>, Hollywood legend and T-bird himself, Randal Kleiser, joins the show to chat about a career that spans <em>Grease, The Blue Lagoon,</em> <em>White Fang</em>, and so much more!</p><p>We dig into his new book, <em>Drawing Directors</em>, his early days working with George Lucas, and the encounters with filmmakers who shaped his path. We also look at the lasting cultural impact of <em>Grease</em>, follow up on how directors choose projects, and ask what keeps a filmmaker inspired after decades in Hollywood.</p><p>It’s a conversation about filmmaking, lessons learned, and how to survive Hollywood.</p><p>For more information on Story Summit, visit <a target="_new" rel="noreferrer" href="https://www.storysummit.us/">Story Summit</a>.</p><p>This episode is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p>Welcome to Bailey Meets World! (IYKYK) This time on Living to Write, Bailey and Brian chat with Emmy-winning writer, producer, and director Mark Blutman, known for Boy Meets World, Girl Meets World. </p><p>We discuss writing, the legacy of Boy Meets World, top-notch poutine (because priorities), and what every new emerging writer truly needs to hear. Plus, we cover his latest projects, thoughts on the WGA strike, and classic Feeny wisdom.</p><p>Follow Mark on Twitter <a target="_blank" rel="noopener" href="#">@BlutmanMark</a>.</p><p>Check out the latest on the <a target="_blank" rel="noopener" href="#">WGA contract</a> and join the <a target="_blank" rel="noopener" href="#">Story Summit Facebook writing group</a>. For more on Story Summit, visit <a target="_blank" rel="noopener" href="#">Story Summit</a>.</p><p>"Believe in yourselves. Dream. Try. Do good." - Mr. Feeny</p>]]></description>
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      <description><![CDATA[<p>On this episode of Living to Write, we’re hanging with the insanely talented Jessica Welsh! A fellow Story Summit Summiteer and the mind behind Shania!, the spec script that lit up the 2021 Black List. </p><p>We dive into her writing journey, life in the Apple TV writers’ room, and her insider take on the 2023 writers' strike. Plus, the ultimate screenwriter showdown: Is outlining essential or just a creativity killer? Buckle up.</p><p>Keep up with Jessica: <a target="_blank" rel="noopener noreferrer nofollow" href="https://jessica-welsh.com/">https://jessica-welsh.com</a></p><p>For more information on Story Summit, visit <a target="_new" rel="noreferrer" href="https://www.storysummit.us/">Story Summit</a>.</p><p>This podcast is produced by Brian Landwehr and Bailey Patterson.</p>]]></description>
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      <description><![CDATA[<p>“Writers don’t sell scripts hiding behind laptops.”</p><p>This time on <em>Living to Write</em>, we’re joined by the wildly versatile Spyder Dobrofsky— Hallmark Christmas movie mastermind turned horror-western gunslinger with <em>Teardrop</em> on Tubi.</p><p>We talk about his journey, his directorial debut (<em>Down Below</em>), and that time he ended up on <em>The Jay Leno Show</em>. The highs, the challenges, and what it really takes to make it in this industry.</p><p>Follow Spyder on Twitter <a target="_blank" rel="noopener" href="#">@SpyderDobrofsky</a> for updates on <em>Down Below</em>.</p><p>For more on Story Summit, visit <a target="_blank" rel="noopener" href="#">Story Summit</a>.</p><p>Produced by Brian Landwehr &amp; Bailey Patterson.</p>]]></description>
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