【本期要点】

9:18 Chicago 的创作背景

13:45 Fosse 特点鲜明的舞蹈风格

19:05 爵士音乐和舞蹈之于设定的特殊含义

28:52 Chicago 的音乐和结构来源于 Vaudeville

32:55 第一版制作设计可能更大胆

具体聊聊里面的歌曲和片段：

37:17 “Cell Block Tango”

42:44 Mary Sunshine 和女性主义主题

46:19 第二幕的法庭片段和布莱希特风格

52:30 “Nowadays”

54:41 “Class”

56:06 1996版制作的设计

1:01:31 Chicago 和《十二怒汉》

1:10:04 现在的 Chicago 成了明星镀金的机会

1:13:39 Chicago 是女性主义作品吗？

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

马阿姨，音乐剧&舞蹈爱好者，金牌舞指（沙大封）

【本期配乐】

0:00 “Overture” from Chicago, New Broadway Cast (1997)

11:08 “A Little Bit of Love” from Chicago, 1997 NBC

16:47 “We Both Reached for the Gun” from Chicago, 1997 NBC

30:33 “All I Care About” from Chicago, 1997 NBC

30:45 “My Own Best Friend” from Chicago, 1997 NBC

32:37 “Overture” from Chicago, 1997 NBC

37:47 “Cell Block Tango” from Chicago, Music from the Motion Picture

43:22 “A Little Bit of Love” from Chicago, New London Cast (1997)

52:44 “What I Did For Love” from A Chorus Line, Original Broadway Cast

53:37 “Nowadays” from Chicago, 1997 NBC

55:15 “Class” from Chicago, 1997 NBC

1:02:57 “Finale” from Chicago, 1997 NBC

1:19:41 “Hot Honey Rag” from Chicago, 1997 NBC

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

5:12 一个特别的作品

17:30 特殊背景下的普通故事

26:40 不表现大的冲突，重点表现“尴尬”

39:02 音乐也用于描述细微之处

46:03 中东风格音乐和乐器，巧妙融合在剧情里

49:38 用不同的音乐语言来表现人物

51:02 舞台设计简约又不简单

1:00:41 反套路的剧情和结构

1:01:41 和 Come From Away 的比较

1:06:14 和 Oslo 的比较

1:14:53 谈谈原作的电影

1:18:02 可能的缺点：美化？不卖座？

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

轩然，剧评人

【本期配乐】

0:00 “Overture” from The Band’s Visit, Original Broadway Cast

16:49, 38:39 “Soraya” from The Band’s Visit, OBC

41:58 “Papi Hears The Ocean” from The Band’s Visit, OBC

42:53 “Itzik’s Lullaby” from The Band’s Visit, OBC

44:06 “Summertime” from Porgy and Bess, Original 1935 Production Version

49:08 “Haj-Butrus” from The Band’s Visit, OBC

50:11 “Haled’s Song About Love” from The Band’s Visit, OBC

54:09 “Waiting” from The Band’s Visit, OBC

59:33 “Omar Sharif” from The Band’s Visit, OBC

1:02:38 “Prayer” from Come From Away, Original Broadway Cast

1:07:43 “Answer Me” from The Band’s Visit, OBC

1:17:28 “The Concert” from The Band’s Visit, OBC

1:22:31 “The Park” from The Band’s Visit, OBC

1:28:24 “Afifi” from The Band’s Visit, OBC

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

2:15 剧目信息简介

5:45 打分环节

7:46 和老白去看百老汇复排版的体会

–7:54 本次复排特色是复刻了首演的大制作

–12:08 Josh Groban表演的短板

–13:26 女主Annaleigh Ashford很出彩

–15:35 替卡Paul Jordan-Jansen首次演出表现优异

20:39 音乐结构的严谨性

–21:00 “The ballad of sweeney todd”反复出现

–21:53 借鉴了古希腊歌队的形式

–23:01 化用”Dies Irae”《末日经》旋律及其变奏

–28:20 主题音乐（Motif）的形式

–33:28 用旋律起伏推动人物动机及情节变化

–34:00 再现瓦格纳的创作技巧

–34:55与Into The Woods相比剧本更加考究

–37:10 剧本结局很有古希腊悲剧的质感

–39:00 对伦敦城市的情感

–42:31 Mrs Lovett的旋律色彩代表角色心理

44:45 歌词及剧本的考究

–44:50 A little priest不停“玩梗”展示众生相

–45:50 桑德海姆从100种职业中反复筛选

–46:50 Locksmith笑点在哪

–49:44 作词时同时考虑到角色和观众

–52:00用黑色幽默化解“吃人”的恐怖感

–53:31 A little priest开启了真正为人熟知的“主线剧情”

–54:50 第一幕的剧情铺陈使观众对“吃人”共情

–56:20 第二幕Joanna(reprise)展示杀人奇观

–57:20 全剧音乐经常展示伦敦工业化时代氛围

59:00 全剧主旨

–59:06 反映工业革命后伦敦的阴暗面

–60:05 法官Turpin一手遮天、道貌岸然

–60:41 全剧最恐怖的不是杀人，而是对社会氛围的刻画

–61:40 Toby的遭遇渐渐让观众意识到杀人的恐怖

–62:52 音乐展现人物心理状态及对结局的剧透

66:48 作品衍生讨论

–67:01 Anthony性格刻画偏弱

–69:40 本次复排被删除的法官歌曲

–71:48 原创英国民谣（Parlor songs）创作显示桑德海姆作曲功力

–73:18 最初版本还有“比赛拔牙”

–75:37 不同版本制作介绍（2012伦敦复排，2014林肯中心演唱会-序曲展现“破坏感”别具一格；2005百老汇复排）

【本期嘉宾】

沙大，十八年音乐剧爱好者

老白，参加过制作的音乐剧爱好者

【本期配乐】

0:00: “Prelude” from Sweeney Todd, Original Broadway cast

11:52 “My Friend” by Josh Groban from Sweeney Todd, 2023 Broadway Revival Cast

14:09 “By the sea” by Annaleigh Ashford and Josh Groban from Sweeney Todd, 2023 Broadway Revival Cast

19:10 “Epiphany” by Michael Ball from Sweeney Todd, 2012 London Revival Cast

19:53 “My friend” by Michael Ceveris from Sweeney Todd, 2005 Broadway Revival Cast

21:21 “The Ballad of Sweeney Todd(3)” from Sweeney Todd, Original Broadway Cast

23:17 “The Ballad of Sweeney Todd” from Sweeney Todd, 2023 Broadway Revival Cast

23:41 Gregorian Chant: Dies Irae

25:20 clip of the Lion King movie (1994)

25:59 “La vie Boheme” from Rent, Original Broadway cast

26:45 “The Worst Pies in London” from Sweeney Todd, 2023 Broadway Revival Cast

29:20 “Green Finch and Linnet Bird” from Sweeney Todd, 2023 Broadway Revival Cast

30:45 “Johanna” from Sweeney Todd, 2023 Broadway Revival Cast

32:02 “Not While I’m Around” from Sweeney Todd, 2023 Broadway Revival Cast

33:48 “Pretty Women” from Sweeney Todd, 2023 Broadway Revival Cast

36:13 “First Midnight” from Into the Woods, Original Broadway Cast

39:50 “No place like London” from Sweeney Todd, Original Broadway Cast

41:13 “My Friends” from Sweeney Todd, 2023 Broadway Revival Cast

42:04 “Wait” from Sweeney Todd, 2023 Broadway Revival Cast

44:56, 47:22, 50:50, 52:33 “A Little Priest” by Patti Lupone and George Hearn from Sweeney Todd, The San Francisco Symphony Orchestra's 2001 concert

58:32 “No Place Like London” from Sweeney Todd, Original Broadway Cast

60:49 “City on Fire” from Sweeney Todd, 2023 Broadway Revival Cast

63:57 “Epiphany” from Sweeney Todd, Original Broadway Cast, “No Place Like London” from Sweeney Todd, Original Broadway Cast

65:04 “Searching” from Sweeney Todd, 2023 Broadway Revival Cast

67:58 “Kiss Me” from Sweeney Todd, 2023 Broadway Revival Cast

70:15 “Johanna (Mea Culpa)” by Philip Quast from Sweeney Todd, 2014 Lincoln Center Concert

72:15 “Parlor Song” from Sweeney Todd, Original Broadway Cast

73:38 “The Contest” from Sweeney Todd, Original Broadway Cast

81:16 “A Little Prist” from Sweeney Todd, 2023 Broadway Revival Cast

告诉我们你想听的剧目/话题

【本期要点】

1:03 剧目和剧情简介

6:32 沙大谈盐湖城见闻

10:57 第一主题是解构宗教

15:11 “一个宗教的诞生”

21:22 讽刺但没有否定宗教

26:08 冒犯但恰到好处

32:47 正好站在观众最“舒适”的角度讽刺宗教

36:27 各种各样的梗都被揉进剧情

40:35 Robert Lopez的特色音乐

41:27 大量的音乐剧的戏仿

47:39 无法摆脱的白人视角

54:45 Covid之后内容改编的来龙去脉

57:26 大众认识的进步开始要求一些作品回应质疑

1:03:10 就算是“好’的讽刺也要考虑当下的语境

1:09:52 抬高百老汇票价的推手

1:14:55 Extra: 更多的盐湖城见闻

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【本期配乐】

0:00 “Hello” from Book of Mormon, Origianl Boradway Cast

27:01 Music from South Park, S7E12 “All About Mormons”

28:40 “Making Things up Again” from Book of Mormon, OBC

29:35 “I Believe” from Book of Mormon, OBC

38:24 “Making Things up Again” from Book of Mormon, OBC

41:44 “Tomorrow (Reprise)” from Annie, Original Broadway Cast

41:49 “Two by Two” from Book of Mormon, OBC

42:07 “The Wizard and I” from Wicked, Original Broadway Cast

42:18 “You and Me (But Mostly Me)” from Book of Mormon, OBC

46:22 “Hakuna Matata” from The Lion King, Orignal Boradway Cast

46:42 “Hasa Diga Eebowai” from Book of Mormon, OBC

47:48, 53:36 “I Am Africa” from Book of Mormon, OBC

1:02:12 “I Believe” from Book of Mormon, OBC

1:14:37 “Tomorrow Is a Latter Day” from Book of Mormon, OBC

1:17:06 “Encore” from Book of Mormon, OBC

【参考资料】

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

3:30 舞台监督（stage manager）工作定义

4:41 一然介绍舞台监督工作流程

9:15 大舞监在建组之初就加入全程参与

10:14 舞监团队的组成的分工

11:01 舞台监督的工作更像“牧羊人”

12:00 舞台监督的工作也需要了解具体技术细节

12:48 国外舞台监督专业课程的内容

14:00 回忆毕业戏舞台监督的工作细节

18:10 商业剧组和学校剧组的不同

18:48 一然回忆参与商业剧场的工作历程

20:53 国外和国内音乐剧制作的差距在哪里

25:32 好的演出应该让人“感觉不到舞监的存在”

27:00 分享印象深刻的舞台设计

—27:44 百老汇 Here Lies Love

—30:02 西区 Guys and Dolls

—34:39 The Great Comet（百老汇及未来的上海版本）

—37:00 local制作 Cabaret 及 Sweeney Todd 复排

—38:49 “舞台转盘学”讨论（国内剧院及英国国家剧院National Theater）

—43:42 2018年 Follies 复排版

—47:09 My Fair Lady 巡演版

49:29 如何参观阅览英国国家剧院档案馆

50:34 中西方传统戏剧对于舞台设计的不同

52:05 The Play that Goes Wrong《演砸了》：舞台监督的噩梦和教科书

56:14 纽约Museum of Broadway有舞台相关展品

58:30 录制后闲聊（同样精彩）

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

一然，兼职舞台监督

【本期配乐】

0:00 “The Star of the Backstage” from The Simpsons, S33E1, by Kristen Bell (singing) and Julie Kavner

27:08 “American Troglodyte” from Here Lies Love, 2013 Orignal Cast Recording

30:06 Guys and Dolls, Trailer, 2023 London production

38:24 “Wait For Me” from Hadestown, Original Broadway Cast

44:15 “I’m Still Here” from Follies, 2018 National Theatre Cast

47:44 “Just You Wait” from My Fair Lady, 2018 Broadway Cast

58:00 “Soraya” from The Band’s Visit, Original Broadway Cast

1:04:42 “Afifi” from The Band’s Visit, Orignal Broadway Cast

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

0:30 音乐剧复排的概念

1:49 Revival 概念的特殊性

3:00 《剧院魅影》多个制作版本与复排的不同之处

8:08 大多数音乐剧的制作周期

11:55 以“捧角儿”为目的的复排

20:10 “性转版” Company 复排体现了导演的思考

31:00 本年度 Broadway 复排音乐剧点评（Sweeney todd, Camelot, Into the Woods 与 Parade）

39:11 制作成本越来越高的弊端

41:40 小制作复排剧也能成功

46:00 相比话剧，音乐剧复排制约更多

50:03 静云分享参与过的复排剧制作及导演工作体会

59:22 “换时代背景”也是常用操作之一

01:01:26 复排过程中对歌曲也会删改

01:07:26 Chicago 和 Cabaret 复排版本很成功，体现了re-imgaine

01:09:36 很多local小制作改编力度更大胆更有意思

01:13:50 复排失败的例子 Funny Girl

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

静云，戏剧行业从业者

【本期音乐】

0:00 "Wilkommen" from Cabaret, 1998 New Broadway Cast

12:57 "Everything’s Coming up Roses" from Gypsy, 2003 Broadway Cast

13:18 "Everything’s Coming up Roses" from Gypsy, 2008 Broadway Cast

23:14 "Barcelona" from Company, 2006 Broadway Revival Cast

23:36 "Barcelona" from Company, 2018 London Cast

24:55 "You Could Drive A Person Crazy" from Company, 2018 London Cast

27:47 "Getting Married Today" from Company, 2018 London Cast

44:25 "The Worst Pies in London" from Sweeney Todd: The Demon Barber of Fleet Street, Original Broadway Cast

44:44 "The Worst Pies in London" from Sweeney Todd, The Demon Barber of Fleet Street, 2005 Broadway Revival Cast

1:02:59 "Telephone Song" from Cabaret, Original Broadway Cast

1:03:30 "Tomorrow Belongs to Me" from Cabaret, Original Broadway Cast

1:04:09 "Tomorrow Belongs to Me" from Cabaret, 1998 New Broadway Cast

1:17:18 "Entr'Acte" from Cabaret, 1998 New Broadway Cast

【本期要点】

1:51 知名演员当众求 bootleg

3:05 Patti Lupone 怒斥观众

9:36 沙大谈古早音乐剧圈资源交换史

13:56 票价和难以获得是催生盗摄的一大原因

17:29 一些稀有剧目/版本在剧场里也很难看到

18:03 学生社团可能也有需求

22:40 演员划水/失误会让观众留下遗憾

25:13 盗摄也有一些优势？

31:27 德国戏剧市场上盗摄比较少，可能和戏剧制作模式有关

51:19 演员也抱怨没法留念

54:41 Covid 推动了流媒体和官摄制作

57:30 Hamilton 等剧开始在社交媒体上发布官方片段来营销

1:00:06 官摄也有自己的“技巧”，录像不能取代现场观剧体验

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

静云，戏剧行业从业者

【本期配乐】

0:00, 1:08:00 “No More" from Tick, tick... BOOM!, 2001 Off-Broadway Cast

4:42 "Rose's Turn" from Gypsy, by Patti Lupone, Jan 10, 2009

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

8:34 我们看过的现场版本

15:29 大家都喜欢的名演员平时也会划水

18:57 精彩的舞台设计，新老版本的比较

21:09 百科全书式的原著故事要如何取舍 / 雨果在很多议题上的认识都可以穿越时空

35:37 我们之间的关系也和《悲惨世界》有关

38:17 绝无仅有的超长群像戏

43:34 大量反复使用的主题音乐有好也有坏

51:48 Sing-through的音乐剧写好还挺难

1:01:57 作品要更注重严肃性还是要迎合观众？

1:08:34 最早的法语版和今天的版本大不一样

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

兆丰，音乐剧表演爱好者，十年老悲剧粉丝

【本期配乐】

0:00 “Look Down" from Les Misérables: The Complete Symphonic Recording, 1990

18:34 "Encore 1: Do You Hear The People Sing" from Les Misérables, 10th Anniversary Concert Live at Royal Albert Hall, by 鹿賀 丈史

34:28 "A Little Fall of Rain" from Les Misérables: CSR

43:13 "Tonight (Quintet)" from West Side Story, The New Broadway Cast

43:52 "On My Own" from Les Misérables: CSR

44:00 "Fantine's Death" from Les Misérables: CSR

44:13 "Epilogue (Finale)" from Les Misérables: CSR

44:35 "Fantine's Arrest" from Les Misérables: CSR

45:15 "Lovely Ladies" from Les Misérables: CSR

45:27 "Turning" from Les Misérables: CSR

50:24 "Valjean's Soliloquy (What Have I Done)" from Les Misérables: CSR

50:31 "Javert's Suicide" from Les Misérables: CSR

53:09 "I Dreamed A Dream" from Les Misérables: CSR

53:31 "The Night of Anguish" from Les Misérables: CSR

55:17 "Company" from Company, 2006 Broadway Revival Cast

56:14 "The Robbery" from Les Misérables: The Stage Concert (The Sensational 2020 Live Recording)

56:54 "A Musical" from Something Rotten, Orignal Broadway Cast Recording

1:07:27 "Do You Hear The People Sing" from Les Misérables: CSR

1:07:41 "Rue Plumet - In My Life" from Les Misérables: CSR

1:09:57 "L’air de la misère" from Les Misérables, Original French Concept Album

1:19:36 "One Day More" from Les Misérables: CSR

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

0:39 托尼奖的简介

2:02 颁奖典礼换地方了

3:24 编剧工会罢工，颁奖典礼没人写台词

5:26 非二元性别演员获奖，奖项选哪个？

15:17 两个奖项关注反犹、排犹故事

26:29 Phantom 离开百老汇，正式终结韦伯时代

27:58 话剧奖项关注性骚扰话题

35:43 谈谈最佳音乐剧 Kimberly Akimbo

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【本期要点】

1:04 Hadestown 和古希腊艺术的关联

3:53 非音乐剧创作者的反惯例创作

6:50 Andre De Shields 的表演

12:22 精彩的舞台设计：灯光和旋转舞台

23:11 音乐剧的结尾到底好不好

30:57 Hadestown 从女性的视角丰富了原来的神话故事

35:21 火车的概念好像没有用好

46:08 在选角方面留下了很大的探索空间

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

老白，参加过制作的音乐剧爱好者

【本期配乐】

0:00 “Our Lady of the Underground" from Hadestown, Original Broadway Cast Recording

12:52 "Wait for Me" from Hadestown, OBC

20:31 "Chant (Reprise)" from Hadestown, OBC

35:52 "Road to Hell" from Hadestown, OBC

41:21 "Way Down Hadestown" from Hadestown, OBC

50:16 "Road to Hell (Reprise)" from Hadestown, OBC

【参考资料】

Mitchell, A. (2020). Working on a Song: The Lyrics of HADESTOWN. Penguin.

YouTube. (2019, May 8). Broadway’s Hadestown | Talks at Google. YouTube. https://www.youtube.com/watch?v=foMPZggeAN0

【本期要点】

1:25 剧情简介

12:03 用希腊神话讲资本主义对人的异化

13:55 Hades：黑心工厂的大资本家

27:10 作者创作的原因是小布什

29:37 Persephone：暴发户老白男的原配

37:20 Eurydice：习惯孤独的女性如何面对爱情

41:53 Orpheus：真诚的ADHD天才

47:24 哪种对Hermes的表现更好

53:18 André De Shields的演技

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【本期配乐】

0:00 “Road to Hell" from Hadestown, Original Broadway Cast Recording

20:36 22:19 24:37 "Why We Build the Wall" from Hadestown, OBC

28:27 "Wait for Me" from Hadestown, OBC

32:29 33:11 "Chant" from Hadestown, OBC

34:41 "Chant (Reprise)" from Hadestown, OBC

36:01 "Way Down Hadestown" from Hadestown, OBC

37:58 "Any Way the Wind Blows" from Hadestown, OBC

38:59 "All I've Ever Known" from Hadestown, OBC

45:02 "Come Home with Me (Reprise)" from Hadestown, OBC

52:52 "Wait for Me" from Hadestown, OBC

55:59 Way Down Hadestown" from Hadestown, OBC

【参考资料】

Mitchell, A. (2020). Working on a Song: The Lyrics of HADESTOWN. Penguin.

李, 汉松 (March 4, 2022). "李汉松｜音乐剧《冥界》：地狱城与乌托邦_上海书评_澎湃新闻-The Paper". www.thepaper.cn. 上海书评 (Shanghai Review of Books). 澎湃新闻 (The Paper). Retrieved March 9, 2022.

【本期要点】

3:20 剧情简介

7:28 用东方视角来讲的故事

16:27 用固有偏见打败固有偏见

23:53 创作意图的转变

31:24 讲述探索历史的歌曲

36:13 剧情和真实历史的比较

39:50 历史剧对史诗的取舍

42:46 桑德海姆的词曲功底

54:56 用音乐展现两个主角的经历

1:05:01 白人创作者打破东方主义的愿望能实现吗

1:15:03 明治维新可以直接转换到现代吗

1:22:33 《太平洋序曲》对亚裔在百老汇的地位的贡献

1:30:52 日本人眼中的美国白人眼中的黑人

1:34:39 “Pacific Overtures”的来源

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【本期配乐】

0:00 “The Advantages of Floating in the Middle of the Sea” from Pacific Overtures, 2004 Broadway Revival Cast

20:16 “Please Hello!” from Pacific Overtures, 2004 BRC

32:17 “Four Black Dragons” from Pacific Overtures, 2004 BRC

33:54, 34:27 “Someone in a Tree” from Pacific Overtures, 2004 BRC

41:05 “The Room Where It Happens” from Hamilton, Original Broadway Cast

41:27 “Burn” from Hamilton, OBC

44:19, 44:46 “Please Hello!” from Pacific Overtures, 2004 BRC

47:19 “Pretty Lady” from Pacific Overtures, 2004 BRC

48:40 “” from Pacific Overtures, 2004 BRC

50:16 “Next” from Pacific Overtures, 2004 BRC

55:13 “Poems” from Pacific Overtures, 2004 BRC

57:15, 58:05 “A Bowler Hat” from Pacific Overtures, 2004 BRC

1:10:59, 1:11:39 “Welcome to Kanagawa” from Pacific Overtures, 2004 BRC

1:12:15 “Next” from Pacific Overtures, 2004 BRC

1:37:32 “Whatever Happened Inside the Treaty House…” (Dragon dance) from Pacific Overtures, 2004 BRC

【参考资料】

Pribyl, A. M. (2022). Politics, Representation, and Collaboration in Pacific Overtures (1976). In Sondheim in Our Time and His (pp. 160–184). Oxford University Press. https://doi.org/10.1093/oso/9780197603192.003.0007

Horowitz, M. E., & Sondheim, S. (2010). Sondheim on music : minor details and major decisions (2nd ed.). Scarecrow Press in association with the Library of Congress.

在这里找到我们：小宇宙丨苹果播客Podcasts丨Spotify丨Amazon Music

【本期要点】

0:33 多元的剧情也有多元的音乐

5:41 创新的“Contact”

8:04 最喜欢的歌：“Christmas Bells”

10:22 音乐剧歌曲的叙事性

13:35 Jonathan Larson的波西米亚魂：“La Vie Beheme”

14:44 RENT舞蹈的特色

21:16 对RENT剧情的批评

33:32 聊聊tick, tick… BOOM!

44:41 Jonathan Larson和桑德海姆

48:20 美国音乐剧的一种传承

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【Extras】

54:52 Extra1 AIDS大流行的相关资料和RENT标题的翻译

57:57 Extra2 RENT与lottery tickets

【本期配乐】

0:00 “Seasons of Love” from RENT, Original Broadway Cast

01:07 “Rent” from RENT, OBC

01:44 “I’ll Cover You (Reprise)” from RENT, OBC

05:49 “Contact” from RENT, OBC

08:22 “Christmas Bells” from RENT, OBC

09:42 “Christmas Bells” from RENT, OBC

18:31 “Tango: Maureen” from RENT, OBC

26:07 “Goodbye Love” (Halloween B) from RENT, OBC

40:34 “Sunday” from tick, tick… BOOM!, 2002 Off-Broadway Cast

41:23 “Sunday” from Sunday in the Park with George, 2017 Broadway Cast

45:13 “Sugar” from tick, tick… BOOM!, 2002 Off-Broadway Cast

46:11 “Someone in the Tree” from Pacific Overtures, 2004 Broadway Cast

48:57 “The Farmer and the Cowman” from Oklahoma!, 2019 Broadway Cast

54:23 “30-90 Playout” from tick, tick… BOOM!, 2002 Off-Broadway Cast

1:05:38 “30-90 Playout” from tick, tick… BOOM!, 2002 Off-Broadway Cast

【了解更多】

书籍：

Collis, J. (2018). Boho days : the wider works of jonathan larson. Outer Obscurity.

Orwell G. (1949). 1984.

Sontag S. (1978). Illness as Metaphor. Farrar, Straus & Giroux.

白先勇. (2007). 纽约客. 尔雅出版社.

电影和纪录片：

Schwarz, J. (2006). No Day But Today: The Story of 'Rent'.

Miranda, L. (2021). tick, tick... BOOM!.

Campillo, R. (2017). 120 BPM.

音乐剧：

tick, tick…BOOM! by Jonathan Larson

Superbia by Jonathan Larson (Unpublished)

Without You by Anthony Rapp (RENT首版Mark扮演者，该剧由同名自传改编)

话剧：

Angels in America 由美国剧作家Tony Kushner创作，于1991年首演并多次于百老汇及伦敦西区复排

【本期要点】

6:08 来源于生活的作品才能打动人

10:13 Jonathan Larson的大学经历、Superbia和手稿的收藏

16:17 AIDS是怎样进入了RENT的剧情

22:58, 35:49 “Life Support”以及背后的故事

38:48 Alphabet City的过去和现在

45:17 去看RENT的观众都是老头老太太

46:06 舞台内外，Benny的梦想能成功吗

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【本期配乐】

0:00 “Rent” from RENT, Original Broadway Cast

11:47 “Sextet Montage” from Netflix Film “tick, tick… BOOM!”, based on songs in Superbia

22:12 “La Vie Boheme (Life Cafe)” from RENT, OBC

23:28 “Life Support” from RENT, OBC

31:40 “Life Support” from RENT, OBC

43:22 “Boho Days” attached to tick, tick… BOOM!, 2002 Off-Broadway Cast Recordings, sang by Jonathan Larson

47:27 “On the Street” from RENT, OBC

50:16 “You’ll See” from RENT, OBC

52:37 “On the Street” from RENT, OBC

58:38 “Will I” from RENT, OBC

【参考资料】

书和文章：

Collis, J. (2018). Boho days : the wider works of jonathan larson. Outer Obscurity.

Titrington, E. (2007). "OVER THE MOON": The Creation and Development of Rent by Jonathan Larson (Thesis). University of Maryland.

电影和纪录片：

Schwarz, J. (2006). No Day But Today: The Story of 'Rent'.

Miranda, L. (2021). tick, tick... BOOM!.

在这里找到我们：小宇宙丨喜马拉雅丨苹果播客Podcasts丨Spotify

【本期要点】

- 聊聊音乐剧Phantom of the Opera（《剧院魅影》）

- 传奇作品在百老汇迎来尾声

- 你为什么喜欢过《剧院魅影》

- 你为什么在现场睡着了

- 《剧院魅影》，没了也挺好

【本期嘉宾】

沙大，十八年音乐剧爱好者

聚聚，八年音乐剧爱好者

【Extras】

1:01:05 Extra 1: 你看到过哪些剧院魅影的舞台事故

1:03:19 Extra 2: 难以理解的剧院魅影的一些桥段

【本期配乐】

00:00 “Masquerade” from Phantom of the Opera, music box version

07:36 “Overture” from Jesus Christ Superstar, 1996 London cast

07:53 “The Phantom of the Opera” from Phantom of the Opera, Original London cast

11:01 “Poor Fool, He Makes Me Laugh” from Phantom of the Opera, OLC

11:57 “Wandering Child / Bravo, Monsieur” from Phantom of the Opera, OLC

41:05 “Prolougue / Look Down” from Les Misérables, 25th anniversary cast

41:15 “One Day More” from Les Misérables, 25th anniversary cast

41:34 “Notes / Prima Donna” from Phantom of the Opera, OLC

42:00 “Satisfied” from Hamilton, Original Broadway cast

42:10 “The Reynolds Pamphlets” from Hamilton, OBC

43:21 “Notes / Prima Donna” from Phantom of the Opera, OLC

43:52 “One Day More” from Les Misérables, 25th anniversary cast

47:00 “Love changes everything” by Michael Ball, 1988

48:05 “Love Never Dies” from Love Never Dies, Original London cast

48:27 “The heart is slow to learn” by Elaine Paige, The Music Of Andrew Lloyd Webber - Masterpiece Llive in Beijing

54:39 “Wishing You Were Somehow Here Again” from Phantom of the Opera, OLC

1:00:15 “Entr’acte” from Phantom of the Opera, OLC

1:09:49 “I will survive" by Gloria Gaynor, 2009